At precisely this time of year in 1974, as summer gave way to the early chill of fall, you could have seen the artwork of Bill Blumenau prominently displayed in a public place.
If you’d cared to look up while filling out your deposit slip, that is.

September 30, 1974. Mets win; Yankees, who are only one game out of first, are idle.

October 30, 1974. The Mets and Yankees are on the golf course.
I don’t know how my grandpa connected with the State National Bank of Connecticut, but they were a pretty big deal in his area, back in the day — no two- or three-branch local player.
A 1977 document made available by the Stamford Historical Society indicates that State National had 42 branch offices at the time they displayed my grandfather’s work.
(I can’t guess at which office my grandfather’s paintings were displayed. But I’m betting it was in Stamford, as there is no indication on the calendar that he had to drive anywhere else to hang or pick up the paintings.)
State National, headquartered in Bridgeport, marked its 114th year in business in 1977. It claimed that year to have America’s oldest continually active national bank charter, tracing back to a bank founded in Stamford in 1863.
While State National reached historic milestones in the ’70s, it was also looking toward the future.
In 1973, the bank introduced what it called “the 25-Hour BanKey Banking Center,” a computerized device that allowed customers with personal checking accounts to perform any one of 12 financial transactions at any time in a secure vestibule.
Twenty-eight of these pre-ATMs were in place at the time my grandfather hung his paintings. Perhaps he bemoaned his luck: Just as he’d scored a nice public placement, the number of potential eyeballs on his work was dropping, because fewer people needed to come to the bank during business hours.
(This is very much a 21st-century perspective, of course. I’m guessing only a tiny percentage of State National’s customers in 1974 used the BanKey Banking Center as a regular, meaningful alternative to going into the bank and doing business with a teller. Times hadn’t changed yet.)
State National would go from celebration to resignation in just about five short years. In 1982, the company — then the fifth-largest bank in Connecticut — agreed to an $86 million takeover by the CBT Corporation, owner of the Connecticut Bank and Trust Co., the state’s largest bank.
If some Googling is correct, the merged CBT-State National later fell under the wing of Bank of New England, which went into bankruptcy liquidation in 1991. (An interesting New York Times article from 1990 about the foundering of Connecticut Bank and Trust can be read here.)
According to Wiki, the remaining Bank of New England assets are now mostly part of Bank of America.
Bank of America has several branches in Stamford — including one at 898 Hope St. — so it’s possible that, through all the changes, the bank office where Bill Blumenau hung his paintings might still be serving customers.
One other note: While my grandfather might have landed a nice setting for his work, he was still paying his dues.
On the first calendar entry shown above, if you look closely, you can see “W.C. Class #6” written in the previous week’s calendar entries (on Sept. 24, to be precise).
That would have represented a watercolor class. I find it kinda cool to think that, even as he was getting his work in front of people, he was still trying to learn.
I bet the people who noticed his work at the bank — and there had to have been at least a few — might not have guessed that they could find him there in town once a week, leaning over a canvas, taking notes and trying to get better.