It’s that time of year when high school kids wrap up a lot of the year’s business. Calendars are full of AP exams; proms; musicals; championships in various athletic and intellectual competitions; and like that.
This week we return to an end-of-year ritual that, while relatively new at the time, might have felt to its participants awfully like old news:

May 8, 1964. The Mets win. So do the Yankees, beating a young, unknown, but strong-armed and healthy Cleveland Indians pitcher named Tommy John.
My dad apparently won the Masters this week, because he got a green jacket delivered to him … but that’s not the subject of this post.
The weather was remarkable, and not just in Stamford. Tornadoes damaged Midway Airport in Chicago and killed 12 people in Michigan. But that’s not what we’re focused on this week either.
No, my aunt’s writing at the top of this week’s calendar entry is what we’re interested in. I don’t know if she was participating in the musical “Bye Bye Birdie” or just wanted to go to support friends, but it was prominent enough on her social agenda to mark on the family calendar.
(I would guess that she was just watching the show, because if she were participating, the whole family would have gone to support her, and then my grandpa would have marked it on the calendar. But I’m just spitballing with that.)
“Bye Bye Birdie,” for those unfamiliar with the plot, is based loosely on the induction of Elvis Presley into the Army in the 1950s.
In the musical, flamboyant young rock singer Conrad Birdie gives “one last kiss” as a publicity stunt to a randomly selected all-American girl on The Ed Sullivan Show just before being inducted. This event precipitates all manner of chaos into the lives of Birdie’s manager; the girl; her boyfriend and family; and others.
This pop-culture confection, introduced on Broadway in 1960 with Dick Van Dyke and Chita Rivera in lead roles, was a Tony Award-winning sensation. A movie adaptation starring Ann-Margret hit paydirt too, becoming the most popular movie in America for four weeks in April and May of 1963.
But something happened between May of ’63 and May of ’64. Specifically, a little something called the Beatles.
John, Paul, George and Ringo landed in the U.S. in January and February of 1964, and in no time at all, they owned American charts and minds.
During the week this musical was staged — presumably at Stamford’s old Rippowam High School — New York City’s WABC (“W-A-Beatle-C”) listed three Beatles tunes in its top 20. Just a month before, the Fab Four had attained the legendary feat of holding down the top five spots on Billboard’s national chart in the same week.
Elvis, in contrast, had simmered down considerably since his release from the Army in 1960. He’d starred in forgettable movies like Fun in Acapulco and It Happened At The World’s Fair, and he’d released a series of toothless (if sometimes successful) singles that lacked the rebellious punch of old.
That makes me wonder if “Bye Bye Birdie” had a bit of a faded feeling about it to its teenage participants in May 1964.
Wiggling hips? Sneering? A U.S. Army draft notice? Maybe your older sister got worked up about such quaintnesses. The real heartthrob action on every teen’s mind in May ’64 spoke with working-class English accents and bore no obligation to Lyndon Johnson’s Army. (Nor the Queen’s, either.)
As it turned out, time would be merciful to both “Bye Bye Birdie” and Elvis.
Less than two weeks after the Stamford performance of “Bye Bye Birdie,” the once and future King proved he wasn’t washed up by releasing Viva Las Vegas, the vibrant and energetic high point of his post-Army film career. (In a mild irony, the female lead who brought out his best performance was Ann-Margret.)
And, despite the eventual fading of Elvis, “Bye Bye Birdie” managed to survive through the years as a staple of the teenage musical repertoire. The young thespians of Rippowam — it’s a middle school now — put on an age-appropriate version of “Bye Bye Birdie” as their spring musical just a year ago. Elvis’ induction into the Army is ancient history now, but apparently, the tunes are timeless.
I’m not sure any of that could be predicted in the specific window of time we’re visiting this week, though.
I wonder if the folks who’d written “Bye Bye Birdie” were looking out upon a Beatle-obsessed nation and thinking, “Well, it was a fun ride while it lasted.”
And, I’m imagining an auditorium full of teens sitting through the fictionalized story of Elvis … then stepping out into the still-humid night, starting up their cars, rolling down the windows, and singing along to the radio with a single voice:
“Yeah, yeah, yeah.”